| Jane Satterfield | ||||
| Blighted Landscape | |||||
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In '79 in a slum Sid Vicious, ex-star and addict, famous for on-stage self-mutilation, having mortally wounded his lover, whole of the world to him, lived and died knowing nothing succeeds like excess. Should we, too, disregard damage, and for one moment aspire to that life, that dream he lived all the way up right there in the shadow of death's getaway car? Or is it better the other way--to be safe and survive? The gaze is trained to look away from danger while another current dazzles the eyes, a rush of water moving past shape, the way pattern turns indistinct, and a world blurs beyond recognition. Is it better to sidestep the edge, the grief, love, half-love, the "easeful death"? But what's restraint compared to motion, the leap taken because of, in spite of where the gesture might lead? Sometimes I'm sorry I stayed behind on this bank, frozen in place eyes closed not to see the hero scan the blighted landscape for clues. Stripped of illusion, the last ribbon of light. | ||||
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